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Review of the Alanis Morissette CD Supposed Former Infatuation Junkie

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by: ClydeLee
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Word Count: 336

Supposed Former Infatuation Junkie is the latest release from Pop Sensation Alanis Morissette, and I can only think of one word to describe it… AWESOME!

It's a rare day indeed that I get a CD from an artist that I can truthfully say does not have a bad track in the bunch. I'm more than happy to announce that’s exactly what I must say about this one. There simply is NOT a bad one in the bunch. No fillers here at all, with each song standing tall on it's own.

Pop music fans will recognize some of the well known guests that have been assembled to play along with Morissette on several of the tracks. Artists like Chris Chaney and Joel Shearer just to name a couple.

Supposed Former Infatuation Junkie is a first rate CD, delivering a little something for everyone. I give it my highest recommendation. It’s quite simply great listening. A must buy for the Pop fan.

While this entire CD is outstanding the truly standout tunes are track 6 - That I Would Be Good, track 12 - Would Not Come, and track 17 - Your Congratulations.

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 - Front Row. Good stuff!

Supposed Former Infatuation Junkie Release Notes:

Alanis Morissette originally released Supposed Former Infatuation Junkie on November 3, 1998 on the Maverick label.

CD Track List Follows:

1. Front Row 2. Baba 3. Thank U 4. Are You Still Mad 5. Sympathetic Character 6. That I Would Be Good 7. Couch, The 8. Can't Not 9. UR 10. I Was Hoping 11. One 12. Would Not Come 13. Unsent 14. So Pure 15. Joining You 16. Heart Of The House 17. Your Congratulations

Personnel: Alanis Morissette (vocals, harmonica, flute, piano); Glen Ballard (guitar, piano, synthesizer, programming); Nick Lashley, Joel Shearer (guitar); Benmont Tench (organ, chamberlin); Chris Chaney (bass); Gary Novak (drums, percussion); Shad T. Scott, Christopher Fogel (programming); Dash Mihok (loop). Engineers: Christopher R. Fogel, Glen Ballard. Recorded at Royaltone Studios, Los Angeles, California.



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